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Placemaking Through Artistic Expression

Back in 2006, I started an open mic in Orlando, FL called “Diverse Word.” I was a 23-year-old idealist who thought my city could use some diversity within the art of spoken word poetry. It became a success in terms of vision actualized, attendance, and the profit it brought to the local café that hosted it. I heard story after story of how meaningful this open mic was to patrons outside of the obvious enjoyment of free entertainment.

At the ten-year mark last year, I sought to document some of those stories and realized how important it was for forums like this to exist. I heard things like, “I was diagnosed with cancer and I came to the open mic to see how other people dealt with their issues. It was therapeutic for me and I have since been cancer-free.” I’m not saying that poetry cures cancer, but creating a safe space for expression does allow for the sacred spaces of human dreams and desires to be heard and tapped into. The positive outcomes from that expression were a byproduct of the original intent.

Something unique happens when people regularly gather together and express their dreams and desires. I noticed it at my open mic nights. And I learned it while working in communities for Polis Institute. It led me to initiate an open mic arts night that includes music at Lake Lorna Doone Park. We are interested in seeing how this and other opportunities for community art and dialogue will transform this public city space and hopefully create a more welcoming environment for children and families. We’ve collaborated with ArtReach Orlando, and on the Southwest corner of the park, under the broad shade of a tree, set up a blank canvas with paint. What effect will this have on the nearby schools and residents in 10 years?

Amanda Burden is a former NYC city commissioner who now consults globally to improve urban public spaces. She believes that cities must have enjoyable accessible public space to thrive, and has described them as “the glue that holds a city together, and…make[s] people want to live in a city and stay in a city.” In a Ted Talk on the subject, she summed up her philosophy with the thought that “a successful city is like a fabulous party. People stay because they are having a great time.”

As the community of Orlando develops and strengthens all parts of our city, it seems to me that our direction should be to help people have a great time! At a truly fabulous party, everyone gets a turn on the dance floor and the DJ takes all requests. Intentional opportunities for artistic expression can invite in people that don’t always have a voice in the life of the city.

Join us on any given Tuesday for the fabulous party of expression known as Diverse Word: from 4 to 6pm at Lake Lorna Doone Park and from 7:30 to 10pm at Dandelion Communitea Café.

 

 

For more of Amanda Burden’s thoughts on public space, you can watch her 2014 Ted talk or read up on a 2016 NPR interview.

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Curb Cutting: How Solving Problems for One Group Helps us All

The Polis Institute is a non-profit organization that aims to remove the barriers that prevent experiencing long, healthy, fruitful and dignified lives. Many of these barriers stem from concentrated poverty, but there are additional barriers, both physical and metaphoric, that manifest in a variety of ways. We at POLIS use and develop research around the best practical ways to engage with people living in areas of high distress, and help design long-term solutions for the well-being of their community.

Approaching global systemic issues very locally, over a long range of time, is not a popular model in our fast-paced, instant gratification society. But taking time to get to know people, and deeply considering their expressed desires and visions of what could be, can be effective on a grander scale than imagined.

Conventionally, city sidewalks and city streets met at the right angle of a curb. No harm in that, right? You just step on and off. However, for Edward Roberts, confined to a wheelchair and iron lung after contracting polio, that six inch curb was a major hurdle. As a student at UC Berkeley in the 1960s, he became a disability rights activist, and led a movement to create curb cuts, or ramps, to allow sidewalk access to people with wheelchairs. Curb cuts had existed since the 1940s when they were created to assist disabled WWII vets, but were not in common use or well known until Roberts and his classmates worked to design solutions for a local, small, underserved group of people with limited mobility.

With decades of effort, and the benefit of national attention to the accomplishments of this growing movement, the 1990 ADA (Americans with Disabilities Act) was passed, mandating curb cuts everywhere – removing barriers to wheelchair access to city sidewalks and the cities themselves.

My point, however is not that a small group won a victory that serves them alone. It is that a much larger and unanticipated group of people also benefitted from the well-designed solution of curb cuts. Anyone pushing a baby stroller or a grocery cart, riding a skateboard or bicycle, can use a curb cut. Curb cuts help call attention to an intersection’s crosswalk which increases pedestrian safety, are easier to shovel clear in the snow, and are more navigable for the very young and old. When people concentrate their efforts in assisting the overlooked, and solving just a single problem, it can open a whole new world of opportunities for all of society. The Polis Institute desires to be an Ed Roberts in the world, who in slowly serving and designing solutions for the one, would benefit the many in cities across the United States and the world.